jan-peter-de-jong-featured-guest-speaker

My name is Jan Petaryung and I am delighted to present a workshop on the Pitagoras Conference of this year, together with Jesus Kamara. We will present a complete other vision of the Inca vestiges of Kusko and surroundings in Peru. We call this vision the cosmogony of the three worlds, the same as our documentary about this subject. We will show you some very special features and interpretations of the different technologies that were used in these vestiges. We will tell you the consequences and our conclusion that at first sight may sound very extreme but they have as we want to explain and to show you during the lecture a great logic behind it. We will show you a phenomenon called Bittification, which shows that there was a technology with heat and molds used by the ancient stones must have been moldable in the past. And to fix them they used heat. Stones being moldable could explain why they fit so perfectly and why they could form the stone as they wanted. Especially on these kind of stones, on the images, BC they applied heat but not on the stones of the Inca's. The artwork on Whisthammer and Giselle and represent a more simple construction style. We also will show you that the conclusions we make can be drawn on world level 2. We will indicate you some comparisons and examples in Egypt, Malta, Japan and other places. These conclusions are all based on the investigations of the Peruvian Alfredo Camara, the father of Jesus Camara, Alfredo rejected the assumption that we have always been in the orbit of 365 days. He said that in former orbits we were closer to the sun, while Earth was smaller and as a consequence, gravity was less. For example, here on the Hapkellander, there are reference to be found 2 calendars of 365 days, 260 days and 225 days per year. The canon patcha culture or the first world of Alfredo Camara is related to the construction style where they could form anything in style. The monolithic nature of the design in the rock of the Hanabachya is typical. Everything is made in a single block of stone, many types of gigantic proportions. In the Uran patcha stones at the cellular form, during this period the ancient work capable of fitting the stones perfectly together. A technology still not understood very well during the Uran patcha, they made walls around many of the Hanan patcha monuments. In this way showing the respect and the sacred status of the Hanan patcha monolithic culture, we will find the great care and reference that the Uran patcha walls had for the Hanan patcha rocks. In for example, we suck and match you with you. We invite you to come to our workshop and to see many more details and references that we will be able to present you. In this way we would like to challenge the more traditional visions of human history, or the archaeology of the images and over ancient monoments and over walls. We will see you in the next video in October, 2021.