dr-ivan-van-sertima-nile-valley-contributions

Published 2025-05-12 · Duration 10:16 · Video file (47 MB)

Dr. Ivan Van Sertima on the mind, skin, and historical knowledge of the Nile Valley, emphasizing the importance of understanding the past and present.

Transcript
in for leader with a lot of factors skin. We have the same bloody mind in his head. Because that is what is really at stake here. It's not just a question of skins. No man is responsible for the skin he's born with. But you are responsible for the mind you sustain. You may not be responsible for the mind you came up with because that may be a part of your misadjudication. I was responsible for my mind at 24. But if I were to maintain and preserve in my system after the knowledge, the new knowledge that I show on you how misadjudicated I was. If I were to maintain, there was attitudes and prejudices that I would become responsible. It is absolutely necessary that this kind of knowledge be not the American relation of facts. Be not merely something to boast about in a privileged manner but something that generally brings about a ship in consciousness. We have to think a new and as a result of thinking a new, we have to act a new. That is the reason why. This is so important to all of us, blacks or unwrites. That is the reason why it is not an activity to be seen simply as subversive or something that has to be inspected by the police. It is something that you have to understand is necessary. It is happening in the world. We are only giving it a certain direction, a certain expression. It is not something that is going to die or pass away. Because it is impossible. It is utterly impossible to sustain this sort of psychological oppression, which is worse than change. It is utterly impossible to maintain this kind of bondage, the certain kind of image, the certain vision of the world, which we know to be forced and which lies at the foundation of our civilization. This is why history is pertinent, urgent and urgent. It is because we are not dealing with the ghost of the past. We are dealing with the living presence, everything we do. Everything we think is affected by the past, our conception of the past. What happens in thousand years ago? What happens in minutes ago? What you find the same space in this consciousness? They are just the police. Hence, when we study history, we are seeking to revive the living presence, and the future yet to come. Thank you very much. Thank you. Thank you. Thank you. Thank you. I would like to know, if you have any theories on how the Black God or the ancient port of horizontal stone, on top of the pyramid. This work that has been done, very serious work by Robert Heiser, who unfortunately died. He was doing a book on this, and which he dealt with heavy transport techniques. We have not found all the things that we would like to find to make it quite clear to us how Egyptians managed to do some of these things, but most of the evidence he suggests comes from those things. They abandoned. We were able to get a lot of evidence from projects that were abandoned. We were able to see very clearly that they did have enormous ramps, which they could lead from the Nile right up to the side of the pyramid, where they were building. Then they could lead another ramp up. They could go higher and higher until they got the stones going up the ramp. We've also found that we're using a very odd process, which I don't know if we can repeat at the moment, in which they were able to stop and which they were able also to, they were pouring something on the ground, on wooden planks, and they were able to push very large objects along those wooden planks. Just as we could push heavy objects across snow, it was just a slide over this, it was sliding over ice. They seemed to be there's a picture of them throwing this material down. This peculiar mixture down, which enabled them to move enormous objects with great ease. They would have these great ramps at the side, and as they built high and high and it would bring the ramp higher and then bring it down. Destroyed those ramps as we destroy skeletons and building on the side of the building, they would then destroy this, and that is how perhaps they were able to move some of these things. We were also found things about they're quarrying, how they would pour water into the natural faults of the stone, and able to break it up, and how sometimes they would take all the reason why they could build six-sided, seven-sided, ten-sided, eight-sided pieces. Whereas we normally only build in four, they could build in six-seventh-ed-sided pieces. They would crack the quarry walls sometimes. They would reconstruct parts of the quarry wall, so that you could get it all knitted together. Some of the methods of softening stone and enabling it almost to glue itself onto the other piece of stone. Without you being able to push a hair between, we do not fully understand how they did this, but we have some idea that this is they didn't have a hair, but we have some idea that this is they didn't have a hair, but we have some idea that this is they didn't have some method for softening stone in order to work it and in order to knit it together. The beginning was the first sign that you would be identified in prison and all the walls have a status. The second day, the gate over the window was the door of the window, first I didn't find it because I see the front door was to the door of the free prison as a black person who was the black person. Yes. You've asked me so many things I don't know where to start. What did you ask before the Madonna child? Because you asked something just before the question of the Madonna child. Oh yes. I do not know precisely when black's first period written, I can speak of when black's first period Europe. Because as she can't figure out what's pointing out yesterday that you, the first man is African. All of us have African ancestors at different removes. You do not have any skull or skeleton in Europe that is a million years of old whereas you have skulls of human beings in Africa going back as much as three and half million years. You therefore do have the first human being in Africa. You do have a movement from Africa of human beings in Asia and into Europe. And you do have according to the transmutation of bremalli man, for example the under the man also comes from Africa but he's not modern man. He's not his advanced. I think there is something missing here to see the imagination, something in the frontal lobe that is missing. But you do have a remedy man who has the brain size and capacity of modern man who is African and you do have his skeletons stretching over 5,000 miles of Europe. And you do have on the caves of Europe you do have that African type represented before you have the emergence of chromatman man which is a mutation of an African type. And I'm not suggesting that mutation means that it is inferior because all men do proceed from the African and you do have the emergence of that chromatman man and the slow disappearance after that of the chromatlite. So that one can date it back, one goes back perhaps about somewhere around 4,000 BC and emergence of chromatman somewhere around 29,000 BC. Those are the dates that are presented to us at the moment. With respect to the black Madonna and child, you do have the worship of ISIS, the black ISIS, the mother of Horas, the sister wife of Osiris, she is worshiped all through the Mediterranean even down at the British as she is worshiped and you do have the first representations of modern child, a black woman and a black child which for some time even featured as Mary and Jesus. And this after was this change because I think it was Michelangelo who started representing Jesus blonde here in Bluad. You do have Arya representations of Jesus and I wanted to refer very briefly to Dr. Finch statement about one of the human representations, the first human representations of and I, by the chairman, we will speak for about three minutes on this matter. Arya's representations are the historical Jesus, human representations, pictorial representations of the historical Jesus. Thank you.
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