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THE PROPHECIES OF BENJAMIN SOLARI PARRAVICINI produced more than 700 psychographies composed of a drawing (in most cases accompanied by a short message as an explanation, and so far most o them have stood out because o their high accuracy. The prophecies cover the entire fields of human activity—political, social, cultural, spiritual, metaphysical, scientific and technological—and were advanced by this notable clairvoyant, unfairly forgotten in his own country and scarcely known in the rest of the world. One of the most enigmatic aspects in the life of Pelén was his contac with extraterrestrial beings. Many o' is prophecies refer to contact with hese ET beings whom he called "astronavigators" (astronavegos), the "Blue Beings” from the planet Ki-en- i, who had already been to the Earth thousands of years ago and will be back "in their enormous fish- shaped red ships". Because of space constraints, we ave omitted many other prophecies of the natural order such as catastrophes, earthquakes, seaquakes, polar caps thawing, volcanic eruptions, changes in the Earth's rotational axis, floods, etc. Although many of Parravicini's prophecies concern political order, is vision of the third millennium is encouraging—following the "Great Purification" that humanity will start o suffer at the beginning of the 21st century. The third millennium is about to arrive, he wrote in 1972, and with it the rebirth of the Truth hat was. Shortly before his death in 1974, Benjamin Parravicini handed down o Norberto Pakula, one of his collaborators and friends, his last psychographies, most of them corresponding to 1972 and aimed at he future generations, some of which are shown in this work. The psychographies were published in 988 in the book The Prophetic Testament of Benjamin Solari Parravicini. (Source: Edited from a posting by Tomas Latino, Grupo Sol, Santa Fe, Argentina, January 2002, http://tinyurl.com/6rg92; additional details from Wikipedia) enjamin Solari Parravicini, Bes in Buenos Aires, Argentina, on 8 August 1898, was an artist specialising in plastics. He was a professor at the Liceo de Espafia, manager of the Department of Arts at the Banco Municipal of Buenos Aires, Director of the Exhibition Gallery of the Municipality of Buenos Aires and in 1948 was Secretary of the Association for the Development of Arts. In his time, Parravicini promoted several arts-related wwentnn totam Riena Buenos Arts. projects in Buenos Aires. It was in the 1930s when Benjamin, also known in his family circle as "Pelén", started to show his extraordinary capabilities. His hands, without any apparent control from him, drew and wrote things that even with the passing of the years would not make sense for him. He had begun to receive his first psychographies. His most active period was between 1936 and 1940, although his ability stayed with him for life. He NEXUS ¢ 65 OCTOBER - NOVEMBER 2010 www.nexusmagazine.com