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harmonic proportions are emphasised by the DNA. Looking back on it, this was a very difficult thing for me to accept at first. Like every student, I was taught from the earliest age that space is a complete and utter void. Yet, I simply could not resist the logic of life as a form of resonance and space as a kind of damping container. Using this as an hypothesis, I decided to find a way to measure resonance and damping in the Vitruvian model. To do this, I overlaid a lattice of right-angled standing waves on the Vitruvian figure (see below). When I scaled the lattice such that the circle radius was exactly equal to 2x, I was surprised to find that the proportion between the circle and the square could be expressed very simply as 1 / ®*, or pi divided by the square of phi, the golden ratio. Could this be pure coincidence? While both of these mathematical constants are irrational and infinite, the ratio between them can be seen to converge to the rational ratio of 12:10, as 3.14159 / 2.618033 = 1.2. The moment I saw this, I realised that harmonics really can account for our body structure. We have 10 fingers and 10 toes at the extremities (where cellular damping is presumably greatest), yet at the same time we have 12 major articulated joints in the body and 24 vertebrae in the spine (where cellular resonance must be greatest). Pursuing this line of thought, I decided to add a recursive growth dimension to the lattice, creating what is called "Hilbert space". This was incredibly accurate in predicting each of the key plexus points in the Vitruvian model, convincing me that our bodies (and all life) must resonate or grow into the containment geometry of space. And just to confirm this, I reverse-engineered the Vitruvian model from the inside out by recursively building up each part of the body mathematically as if it were growing in space! The implications were absolutely mind-blowing for me, since this model seemed to confirm that space is somehow interacting with the structure of life. But this was only the beginning. do this, I overlaid a lattice of right- angled standing waves _ Hidden symbols, suppressed knowledge on the Vitruvian figure (see below). When I scaled the I began to notice how the harmonic lattice can also lattice such that the circle radius was exactly equal to 2,1 contain other things, like ancient religious icons, sacred was surprised to find that the proportion between the circle geometrical patterns and the mysterious symbols used by and the square could be expressed very simply as 1/ ®*, or various esoteric fraternities. Not being a member of any pi divided by the square of phi, the golden ratio. Could this such organisation myself, I waded through the literature on be pure coincidence? While both of these mathematical these topics to get an idea of where these secret orders came constants are irrational and infinite, the ratio between them —_ from and what their symbols could mean. can be seen to converge to the rational ratio of 12:10, as I found an unbroken current of knowledge through all of 3.14159 / 2.618033 = 1.2. them, tracing back to the Egyptian Flower of Life pattern The moment I saw this, I realised that harmonics really (sixth century BC) and its components, particularly can account for our body structure. We have 10 fingers and = Metatron's Cube and the Vesica Piscis, which all fit 10 toes at the extremities (where cellular damping is __ perfectly into the Vitruvian harmonic model. I also noticed presumably greatest), yet at the same time we have 12 __ that the Hebrew Tree of Life fits within this musical lattice, major articulated joints in the body and 24 vertebrae in the —_ aligning with the seven points of the Hindu chakra system. spine (where cellular resonance must be greatest). Even the Gnostic Cross—a cube unfolded into 3 x 4 Pursuing this line of thought, I decided to add a recursive | squares—fits nicely into the lattice, transforming the growth dimension to the lattice, creating what is called — Vitruvian Man into a kind of archetypal crucifix. Could "Hilbert space". This was incredibly accurate in predicting — something like this have been the pre-Christian meaning of each of the key plexus points in the Vitruvian model, _ the Cross? convincing me that our bodies (and all life) must resonate or As my belief in Western science began to crumble, I grow into the containment geometry of space. And just to asked myself how this simple harmonic lattice could be so completely absent . . . . . from eneral Vitruvian Man in the Harmonic Lattice public awareness. Why is this not common knowledge? Why is this not part of science, music, Crown history and our Brain / Pineal » entire education Meech system? Why + Throat would it not at Heart least rate as a "fun f Breast fact" in a sidebar } Solar plexus : P L Navel b ine opular Gonads | Science or on an Perineum aoe we anatomy poster at sy the doctor's office? And above all, why would the Church The human spine as t want le t 3rd harmonic partial oe) BS know all beat it? and 3:2 perfect fifth. After all, it could = aN be taken as proof of a_ sacred ordering principle ce oe Ac & Fe Science or on an anatomy poster at the doctor's office? And above all, why would the Church not want people to know all about it? After all, it could be taken as proof of a sacred ordering principle The human spine as 3rd harmonic partial and 3:2 perfect fifth. 46 ¢ NEXUS Vitruvian Man in the Harmonic Lattice www.nexusmagazine.com FEBRUARY — MARCH 2009