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RS: I am familiar with some of those military UFO reports. It and redirects the energy from the Sun. is a big problem, and I can see why it makes our political/military RS: Are you referring to the solar wind? establishment uneasy. Did you ever discuss your EBE encounters DCP: IJ am saying it takes energy from the Sun. Solar energy with your dad? pervades space. DCP: No. RS: I know. It's called the heliosphere, but as it travels away RS: Not ever? from the Sun it is called the solar wind, and there is a tremendous DCP: No. I only spoke of it [the encounters] to my brother, amount of energy emitted that never reaches Earth. and he would make no comment on that either. He is ex-military, DCP: Yes. There is a tremendous amount of energy flowing also. around the Earth, and my device takes that energy and focuses it at RS: What rank did your father hold in the air force? a specific point for transmission. DCP: My father was a senior master sergeant and my brother RS: Okay. Well, if it wasn't used for defence it would sure was a colonel. make one hell of an offensive weapon. RS: Did you ever have a desire to enter the military? DCP: True. It would make one hell of an offensive weapon. DCP: I was rebellious. In fact, I got into trouble on a couple of RS: I know the Nazis drafted plans for a primitive version of the bases. At Clark [Air Force Base in The Philippines], for this space weapon. It works in the same way a child burns an example, after school my friends and I were insect with a magnifying glass in the sun. buzzing incoming B-52s with our radio- DCP: That's right. controlled [RC] airplanes [laughter]. That RS: But do you see this type of system didn't go over too well with the base being used as an advanced planetary defence commander. My dad took some heat for " A from incoming asteroids? that. Had I unintentionally flown an RC One of the devices DCP: Yes. But it could be turned around. plane into the engines of one of those B-52s, that just somehow RS: Yeah. It seems like it would have the it [the B-52] could have crashed quite easily. power to incinerate anything that it aimed at. RS: And God only knows what materiel came out of me was DCP: Correct. And that's why I am very could have been on board. specifically designed to apprehensive about showing it or discussing DCP: Yeah, well, you know, we got into sal . . it with anyone, unless it is in very general a lot of trouble for that. It was very nasty, dissipate incoming terms. This is something that could get us in and perhaps that's why I chose not to follow objects that are a lot of trouble. my father and brother's path in life. travelling in space toward Earth, and this particular device 3-D Effects from Sampled Images RS: You mentioned there is a com- mercial aspect to your photo images. Are you planning to sell CDs of your "Downloaded" Information RS: You also told me that you felt that, during one of these encounters, ae Nae lr redirects energy from images ae -amiliar with bi : Yeah. Every time I wou : If you are familiar with hip- have one of these encounters, after- the Sun and melts hop music, you know it is essentially wards the thoughts I would have were not rational or what I would consider to be my thoughts. For example, I cannot explain to you how I got the chemical formulations to enhance film to the point where you can see into the dark. sampled tracks from old music. That's what I did with the UFO images. I sam- pled these objects and from the samples Icame up with bitmaps that were unlike anything anyone has seen before. And I applied these bitmaps to 3-D animation I never studied that kind of chemistry to generate visual effects. You have to as such. Another thing is theories of paint those visual effects with some- zero-gravity space. I created a device that I know is based on per- thing. The bitmaps that I extracted from the UFO images are so petual energies and I know it works because Ihave a3-D model of _ abstract that they could be applied to 3-D and be used in such a it working, but I never studied these things. It seems they are just way that I can generate effects that no digital studio on Earth asteroids." coming out of me. could possibly create just by using paint. And that is what I am RS: Do you think that could have been another reason you pitching to Ron Shusett, who created the effects for the movie didn't join the military? Alien. DCP: That's more than likely. RS: But I thought your main goal is to get the images out to the RS: What is your summary of the situation we are in regarding public and inform them about what happened in Washington, DC, EBEs and our military/government? Where do you think things in July 2002. are headed? DCP: | intend on getting the message out and also turning it DCP: Well, one of the devices that just somehow came out of into something that can make money. I am looking at the enter- me was specifically designed to dissipate incoming objects that tainment aspect of what I have in terms of samples and applying are travelling in space toward Earth, and this particular device those to motion picture 3-D effects. redirects energy from the Sun and melts asteroids. RS: I see. It sounds interesting. RS: Okay. I recall you sent me a graphic rendering of that. It DCP: George Lucas and Stephen Spielberg do not have real looks like a space telescope. samples. Even though their effects are great, they are not real. DCP: One of the devices looks like that, yes. RS: Did you copyright that work? RS: It looks like a telescope, but it's something more? DCP: J already own the copyrights to that. DCP: It's something more like an organic laser. It amplifies RS: That's good. specifically designed to dissipate incoming objects that are travelling in space toward Earth, and this particular device redirects energy from the Sun and melts asteroids." 48 = NEXUS "one of the devices that just somehow came out of me was www.nexusmagazine.com OCTOBER —- NOVEMBER 2005