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1982 came from the Watchers, a universal group consciousness sound. This relationship is applied in Buddhist mandalas, whose who appear throughout history, serving as helpful guides to elaborate geometries are used to alter states of consciousness. humanity during its times of tumultuous change. As the Shining Perhaps it is not by coincidence that crop circle designs mirror Ones or Els, they are featured throughout ancient Egyptian texts. these intricate patterns, just as they bear an uncanny familiarity to They also facilitated the building of Europe's tallest mound, Jenny's materialisations of sound. Silbury Hill ("Sil-bury" means "hill of the shining beings"). If sound vibrations are creating crop circles, is it not possible The problem with the information received by Isabelle was that, that they can arouse the individual at a spiritual level? After all, at the time, few knew what a "crop circle" was, so when the it's through music that whole human experiences are celebrated Watchers said they would provide signs of their purpose in the and carried on from generation to generation. It is very probable fields at Silbury Hill within seven days, no one in Isabelle's group that the very shape of the human ear—more specifically, the knew what to expect. Seven days later, a group of five crop cir- cochlea—is a spiral constructed according to the harmonic laws cles arranged like a Celtic cross manifested at the base of the of tone, just as the same spiral shape is the primary form from 5,000-year-old sacred site. which thousands of crop circles have sprung. In succeeding years, Isabelle would be provided with further Music is a carrier for social change: the effect of Handel's instructions ahead of time as to the circles' locations and physical music is believed to have reversed the lax moral values prevalent attributes. Their appearance was often closely followed by mili- throughout early Victorian England, just as the anarchic overtones tary helicopters which seem to be able to pick up their electro- of Punk music corralled disillusioned youth into fighting an magnetic fingerprint on radar. Establishment that held no tolerance for The main purpose behind the glyphs, we those who stepped outside its rules. are told, is to feed information into the The effects on people's awareness after planet's subtle energy grid, thus providing contact with crop circles is similarly docu- human beings with the tools that will hel mented. In 1990, a pictogram at Alton them wake up to their responsibilities as co- Barnes sported the trident of Neptune or creators and achieve their greater potential. If sound is one of the Shiva—figures traditionally associated with To some, the message may seem somewhat . A . transformation. Ironically, it was through simplistic, even utopian, vet there is no doubt formative principles exposure to this unique crop circle that mil that we are living in times of great upheaval, behind crop circles, lions around the world felt transformed, just and whatever choices we are making as a col- aps os as images of crop circles today continue to lective will affect generations to come. What it is not surprising that enlighten the awareness of those who come ss aleady certain is that the tens of thousands these formations are imo contart with hen ' i nciol of people who have come into contact wi . . sound is one of the formative principles crop circles have taken with them a leaving psychological behind crop circles, it is not surprising more positive world-view, and this impressions on those that these formations are leaving psy- whose antennae are change in perception is quietly seeping chological impressions on those whose into the everyday world. antennae are extended and receptive to The Watchers spoke of technology extended and receptive their tune. oo yet to be deciphered from the glyphs . (spinning disc and antigravity devices to their tune. About the Author: Freddy Silva is a writer and art director who has researched crop circles and sacred spaces from a multidisciplinary point of view since 1990. He is today one of the world's leading experts on these subjects as well as a bestselling author. His comprehensive book based on the designs are being devel- oped as I write), and how the patterns are connected to all ancient sacred sites via subtle energies. It has since been discovered that all genuine crop circles indeed lie at the crossroads of invisible electromagnetic pathways which criss- Secrets In The Fields: The Science cross the entire globe, linking all sacred And Mysticism of Crop Circles sites. . . ; . (Hampton Roads, 2002; reviewed in NEXUS 9/06) is available They also spoke of the designs being essentially created from his website, The Crop Circular, at through thought processes sent from other levels of awareness. _http://www.lovely.clara.net. The original version of this article, These vibrations transform into sound and light as their frequen- with accompanying colour photographs, can also be viewed at cies are slowed down by our atmosphere and the laws of the phys- his website. Mr Silva is a scheduled speaker at the NEXUS ical world. Indications of these processes would eventually be | Conference in Brisbane on 23-25 September. discovered in the plants and the soil by people who'd be commu- nicated with at a subtle level of exchange. Further Reading ¢ Peter Tomnkins and Christonher Rird. The Secret Life of Plants. Allen formative principles behind crop circles, it is not surprising that these formations are leaving psychological impressions on those whose antennae are to their tune. Further Reading ¢ Peter Tompkins and Christopher Bird, The Secret Life of Plants, Allen Lane, Penguin, 1974 ¢ David Tame, The Secret Power of Music, Destiny, 1984 * Hans Jenny, Cymatic, Basillius Presse, 1972 * Robert Lawlor, Sacred Geometry: Philosophy and Practice, Thames & Hudson, 1982, 1994 * Joachim Ernst Berendt, Nada Brahma, Destiny, 1983 ¢ Valerie Hunt, Infinite Mind, Malibu, 1989 * Sheila Ostrander and Lynn Schroeder, Psychic Discoveries Behind the Tron Curtain, Prentice-Hall, 1970 The Sound of Transformation The musical scale, constructed on the harmonics of sacred geometry and now found within the framework of crop circles, represents the mathematical structure of the soul of the world because it embodies the essence of the Universe. So it's no coin- cidence that a large percentage of crop circles can be identified with, and by, ancient cultures who to this day honour their histo- ries through song and music, their healing rituals performed with NEXUS + 53 If sound is one of the extended and receptive AUGUST - SEPTEMBER 2005 www.nexusmagazine.com