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we have several accounts, with eyewitness evidence, of In the music album Genesis of the Grail Kings, I have re-enact - this elevating force. Indeed, levitation rituals are still ed the first four minutes of this levitation ritual on a track called being performed in India and Tibet. "Phoenix and the Fire-stone", using the exact same format as In the village of Shivapur, near Poona, India, is a little mosque described above. Several people have contacted me since the dedicated to the Sufi holy man Qamar Ali Dervish. Outside in the release of the CD, remarking that this track has occasionally courtyard of the mosque is a stone weighing 138 pounds. During caused certain phenomena to occur. One report told of the music daily prayer, eleven devotees surround the stone, repeating the returning even after the CD player had been turned off, while oth- holy man's name. When they reach a certain pitch, the eleven ers have described objects being moved around the room. men are able to lift the stone by using one finger each. When the However, as yet, no one has made any report of their stereo sys- chanting stops, the devotees jump back as the stone resumes its tem floating out of the window! M: have studied the levitational potential of sound, and and others is in progress. weight and falls to the ground with a heavy thud. The key seems Preliminary findings to this point in the research have led me to to be in the chanting, and eleven voices must be the required for- look more closely into frequency and resonance. The resonant mula to achieve the correct pitch to make the boulder's vibrations frequency of our skulls is around 3.5 hertz, and this coincides change and render it weightless, or at least much lighter. with the 14th sub-harmonic of G above middle C, which is the Another fascinating eyewitness account of modern levitation main frequency used in "Phoenix and the Fire-stone". This is the comes from Tibet. It was reported by the Swedish aircraft indus- frequency directly connected to the pineal gland, and is therefore trialist, Henry Kjellson, who travelled through the Himalayas in linked to the transcendent realm and the expansion of the subcon- the early 1930s. Kjellson described how Tibetan monks hauled scious. stones, measuring 1.5 metres square, by yak up to a plateau and placed them in a specially designed ecent research has been accom- bowl-shaped hollow, one metre in plished into sound, as a part of diameter and 15 centimetres deep at After four minutes, Kjellson the IRCAM project in Paris. the centre. The hollow was situated This is an electronic music research 100 metres from a 400-metre cliff observed that the individual stones establishment (part of the Georges face, at the top of which was a tem- placed in the target hollow began to Pompidou Centre), founded in the Phas nec ja | Wobble, moving from side to side, 8" wi santa gai om low stood nineteen musicians, and, and that then, as the beats of sound Unfortunately, much of this French pein hem 200 pressing | ngreased, the stones soared fur ws oninlly exited wi another in groups at five-degree 400 metres ina parabolic are tial of sound warfare, under cover of intervals and forming a quarter-cir- to the top of the cliff! the cultural project in the studio com- cle with the hollow at its focal cen- plex. There are certain rooms which tre. The distances appear to have been of the utmost importance, as all were carefully measured by the monks using lengths of knotted within the centre. leather. So far, none of the acoustic research of modern times has pro- The musicians possessed a total of thirteen drums of three dif- duced any definitive sign of the levitational ability known to the ferent sizes, while alternating between them were others with six Tibetans and others. But the research continues, for there is no large ragdan trumpets. The drums weighed up to 150 kilograms reason why we should not acknowledge the Tibetan acquisition of each and were barrel-shaped, suspended from wooden frames set knowledge from ancient Egypt and Mesopotamia. Until the horizontally and directed towards the hollow. The long metal Chinese takeover, Tibet had been isolated for millennia and this are still "out of bounds" today, even to the composers working permanently trumpets, also directed towards the hollow, were of specific knowledge may well have been intentionally provided to the length, and it took two monks, taking turns, to blow one instru- monks. ment. Purposeful architecture has always played a significant part in On command, the drums and trumpets were sounded and the the constructions that surround spaces where music is played. In priests chanted in unison, together forming sharp blasts of sound. France, Chartres Cathedral (built in less than thirty years during After four minutes, Kjellson observed that the individual stones the 13th century when high Gothic architecture was at its purest) placed in the target hollow began to wobble, moving from side to is one of the most wondrous structures in this regard. In the cen- side, and that then, as the beats of sound increased, the stones tre of the floor of the nave is the famous labyrinth, which has long soared 400 metres in a parabolic arc to the top of the cliff! been connected with certain musical harmonics, set within an Kjellson recorded that, by this means, the monks were able to ele- architectural framework of the Cathedral's walls and flying but- vate five or six blocks an hour. tresses. A few years later, in 1939, a friend of Kjellson—a Swedish In Genesis of the Grail Kings, Sir Laurence Gardner describes doctor called Dr Jarl, who was working for the Oxford Scientific the exotic anti-gravitational properties of the white powder of Society in Egypt—was called into Tibet to treat a High Lama in gold and other orbitally rearranged monatomic elements this same region. While he was there he was permitted to shoot (ORMEs). Our collective work in this field has led us to postulate two films of this levitational ritual. However, the Oxford on the potential of the three combined forces—the single-atom Scientific Society confiscated the films, declaring that, since Dr powder, acoustics and architecture—and that, without this triple Jarl was in their employ when the films were shot, they were clas- and holistic conjunction to facilitate an interdimensional state sified and not to be released. At present, the whereabouts of the Continued on page 81 films remains a mystery, but exhaustive searching by this author and others is in progress. In the music album Genesis of the Grail Kings, I have re-enact - ed the first four minutes of this levitation ritual on a track called "Phoenix and the Fire-stone", using the exact same format as described above. Several people have contacted me since the release of the CD, remarking that this track has occasionally caused certain phenomena to occur. One report told of the music returning even after the CD player had been turned off, while oth- ers have described objects being moved around the room. However, as yet, no one has made any report of their stereo sys- tem floating out of the window! Preliminary findings to this point in the research have led me to look more closely into frequency and resonance. The resonant frequency of our skulls is around 3.5 hertz, and this coincides with the 14th sub-harmonic of G above middle C, which is the main frequency used in "Phoenix and the Fire-stone". This is the frequency directly connected to the pineal gland, and is therefore linked to the transcendent realm and the expansion of the subcon- scious. “Oro 7 within the centre. So far, none of the acoustic research of modern times has pro- duced any definitive sign of the levitational ability known to the Tibetans and others. But the research continues, for there is no reason why we should not acknowledge the Tibetan acquisition of knowledge from ancient Egypt and Mesopotamia. Until the Chinese takeover, Tibet had been isolated for millennia and this knowledge may well have been intentionally provided to the monks. Purposeful architecture has always played a significant part in the constructions that surround spaces where music is played. In France, Chartres Cathedral (built in less than thirty years during the 13th century when high Gothic architecture was at its purest) is one of the most wondrous structures in this regard. In the cen- tre of the floor of the nave is the famous labyrinth, which has long been connected with certain musical harmonics, set within an architectural framework of the Cathedral's walls and flying but- + tresses. In Genesis of the Grail Kings, Sir Laurence Gardner describes the exotic anti-gravitational properties of the white powder of gold and other orbitally rearranged monatomic elements (ORMEs). Our collective work in this field has led us to postulate on the potential of the three combined forces—the single-atom powder, acoustics and architecture—and that, without this triple and holistic conjunction to facilitate an interdimensional state 38 + NEXUS Continued on page 81 DECEMBER 1999 — JANUARY 2000