Nexus - 0604 - New Times Magazine-pages

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THE TWILIGHT ZONE South Pacific islands and Pacific islands. I lived on one and they build flat concrete houses because of the winds. A 300 or 400 mile-an-hour wind would...well, I've seen typhoons actually flatten islands complete- ly, take every structure off, "poof", gone like it doesn't exist...300 to 400 miles an hour, there wouldn't be anything left. GMS: Even more difficult, since our planet i majority of water, we're going to see water being pushed everywhere. So water movement will be incredible. We would see tsunamis that could reach Empire State Building kind of heights and beyond. Somewhere that energy has got to be dissipated. If we look at it as energy being released...the magnetic shift is like letting off lots of nuclear bombs, and that energy is going to spread out and it's going dissipate until its energy has expended itself, and it only expends itself by moving to different portions. AB: Now, Egypt...the pyramids. On 31st December at midnight, they're going to put the gold capstone back on the Great Pyramid. That should be a rather interest- ing, interesting moment, I would think. GMS: Yeah, I don't know anything about that. I haven't heard anything about that. I went to Egypt...my guides sent me there four or five years ago and directed me to go to the Great Pyramid, so I went just as a tourist; I didn't go with a group. I booked it, and within two weeks we were there. And when I was there I had non- stop visions; I spent probably a day or two just receiving vision after vision after vision about that site. While I was there I went inside of the Great Pyramid. It was built as a machine. The construction of it...the whole Giza Plateau which includes...three pyramids— Cheops is the Great Pyramid—and then the Sphinx is there, and there are other struc- tures around, and they have since found some boats and other things. When I was seeing it...there was only just the construc- tion of the Great Pyramid. Yet there was another item there; it wasn't the Sphinx, but it was in the same area as the Sphinx. It was a large head, a huge head, with a likeness of somebody who...it would have African qualities to it. I remember seeing that, but there was no other stuff but there was all this construction going on. There were black people working, there were bronze-coloured people working, there were white people working. And I looked in the sky and I could see these huge flying machines. They were like the Goodyear blimp, that's all I can remember. They looked like blimps but they were silent, and underneath of their baskets they had these ropes and they were carrying blocks to the site. They were bringing these blocks up, coming up the river, and then they would anchor off and would unload these blocks. And so I watched the construction of it. In the Grand Gallery I saw this instru- ment which was a very huge machine that had rollers in it; on the ceiling and on the floor and on the two walls, tracks. And this machine moved up and down, kind of like an elevator would but at an angle; instead of vertically it moved at an angle. And there was a kind of a likeness of a bird; it was a strange-looking bird, though, but very large. And in its talons it had this faceted, clear...looks like glass, could have been crystal; I don't know what it was, but I could see that. And the machine itself would move silently up and down on this thing, in these tracks. Yet there was no opening where it could shine through any- thing, so whatever was happening I realised it had to happen at some other...there was nothing to block it. And that's when I started getting all these communications. These guides came to « se . i . naa m and said, We will Yes, tC ell you what this ( BUILOINGS 1 machine was used BOUND BUT for." And they said, OYSLE "Basically, the best _— that we can tell you is that it's a machine; it's 4 a time machine." le AB: A_ time tl machine. GMS: It was designed as a form of an observatory that allowed study of the Earth's position in the heavens. That was very critical to this machine. So they were able to study the heavens with a kind of a telescope that didn't have an optic system. ~~ ee It worked on another principle entirely, and that's what this little ee carriage did: moved —_— up and down, tuned if you will to the quadrant of the sky that it wanted to look at. But in addition to that...you sat inside or laid down inside of the...King's Chamber, in the sarcophagus. And that's part of the machine itself. People came to go through a period or a process of initiation there. So, if you could imagine designing a machine, kind of like an observatory of today where you would go, where you might learn about the stars... But not only would you learn about the stars and the heavens and how these cycles in the heav- ens affect the Earth—which is very impor- tant because they knew great changes were coming, because that was part of the reason for designing this thing—the other part of it was that by being in certain chambers... now there are only three chambers that are known—the Queen's, the King's, and what they call "the Pit"—however, my informa- tion said that there are seven chambers above the Pyramid and seven chambers below the Pyramid. AB: I'm certainly aware of some above already. GMS: Yep. Then on top of the Pyramid...there's no capstone on there cur- rently, and the question was whether there ever was one. But the one that I saw, and time ae ————— JUNE — JULY 1999 NEXUS - 65