Nexus - 0226 - New Times Magazine-pages

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TWILIGHT 2 fe * “ge & a * r “F to explain, yet alone comprehend. I found If my experience stopped at this point, I myself being drawn into the vision, so that would still consider it the most amazing instead of it being an optical experience experience of my life. Here I was watching where I was viewing an event, 1 had what was to become, thousands of years become part of the scene ] was watching. I later, one of the seven wonders of the had travelled back to the time of construc- world. I could hear the voices of the work- tion. I was there! ers, the screeches of the mammoth birds of I could see large birds in the air which the day, feel the heat of the day. In every reminded me of prehistoric birds. The ter- way, 1 was there. My thoughts ran so fast I rain was much different—semi-tropical, began to become aware of a throbbing in lush vegetation, temperature in the 70s and my head, something familiar to me when I water surrounding the entire plateau. The push too hard to receive information. In hotel where I was physically experiencing — the early days of my visions, events such as the vision, was under water. this put me into bed for days at a time with In the air was a large cigar-shaped flying excruciating headaches and electrical sen- machine which resembled a hot air balloon. _ sations running from my solar plexus to my Cables hung down from the craft to anchor- feet. Pictures were flowing like a river of points below. Workers dressed in white consciousness. No sooner had I thought to kilts, with cloth hats extending down to myself, "When is this occurring?" than an shoulder length, were removing stones inner voice responded with an answer. from cradles that were housed below the The time frame is 12,553 years before craft. The activity reminded me of today's present. helicopters that can transport heavy materi- Startled, I realised this was not a foreign als in cradles supported by cables. 1 could voice to me. It was clearly my own voice, see other airships coming into the area, however, the construction of sentences and being guided by anchor cables from point word usage were not common to me. Not to point. Each ship carried a series of car- trying to ask a question, I thought, "What is riages, one stone to each carriage, with this?” markings on each stone in glyph form. Jam you, more specifically, the monad of Herein lies yet another possibility in the which you are a portion. pyramid puzzle: air machines were used to Rather than go through all the dialogue transport the stones from the quarries to the on the monad, I can summarise the infor~ site—not barges, rollers and ramps! mation | received to a few words: the VISIONS AND VOICES AT THE GREAT PYRAMID by Gordon-Michael Scallion (This is the fourth instalment of the Ancient Civilisations series. In this mon- th’'s feature, GMS brings forth information on the Great Pyramid of Giza that he received while in Egypt in January this year. —ECR #44, May 1995) Our visit to Giza and the Great Pyramid changed my life. I do not make this state- ment lightly, in view of all the incredible changes I've experienced since my health crisis in "79 and subsequent thrust into the world as a visionary. What I present next is as a result of a week of daily experiences while at the Great Pyramid. The visions I've received at Giza are quite different from the visions I've been receiving since ‘79. Typically, when I see a vision, it's like viewing a split screen, like watching two or three aspects of the same scene, Not so at Giza. My first vision occurred before I ever entered the Pyramid. I was sitting on our balcony at the Mena House which faced the Great Pyramid, some one thousand feet or so away, when I found myself seeing a vision of workers clearing the plateau in preparation for con- struction of the Great Pyramid. What occurred next is hard for even me JUNE - JULY 1995 NEXUS © 59