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X-tay diffraction, existing only as a rare transitionstate element in modern (terrestrial) technology, as well as the rare metal Rhenium (Re, Atomic Number 75, Atomic Weight 162.2), Bromine and Argon gases etc.—all having missing bands in their spectrums, abnormal for atomic spectra, and showing no catalyst indicating something beyond isotopic classification; an inexplicable latticework of uniform, horizontal and vertical grain—patterns sandwiched in alternating layers at tight 90 degree angles; unidentifiable non—metallic crystalline structures of extremely high conductivity, spirally stacked and exhibiting an end—to—end infrastructure of bond patterns; and the persuasive evidence that such specimens were products of a special non-electrolytic cold synthesis in a vacuum. The analyses of Meier's audio recordings involve even more prodigious features; for the very means by which they could be satisfactorily analyzed seems to have been visited upon a microprogrammer who, working late one night at his computer (designing software systems for electronic funds—transfer procedures) suddenly found himself typing instructions for making digital synthesizer circuits, shortly producing the Fourier transforms and related programs required to convert sound to digital logic—a process previously considered impossible since digital electronics had no output transformer to convert digital code through an analog signal to a type of audio. A converter was built on the basis of the "received" data, with the aid of Jim Dilettoso; such a transform hookup, feeding data into an analog oscillator, gave results in real time, so that instead of tedious preliminary programming a digital piece could be played on the buttons "like a keyboard": reminiscences of Close Encounters! The analytic results were clearly able to differentiate the sounds of a Junkers Ju-52, a Pilater Porter single engine turbo—prop light reconnaissance plane, a "Mirage" jet fighter, the barking of a dog, a European police siren, the cawing of crows and the sounds emitted by the target object which proved to be clearly abnormal: there appeared to be a predominant, rhythmic whine related as a set of strong harmonics to a device determined to be revolving at approximately 242 rpm (each identified frequency being a direct harmonic of the rotational rate); analysis indicated the frequency variables and amplitude shifts were produced by rotation of the target device past sets of magnetic fields involving variation from three to four participating elements, selectively combining the fields as it did so without affecting its rate of rotation—present technology has no parallel with which to identify this process, but the overall impression is distinctly that of a complex electromagnetic generator. Under audio analysis performed by sound technician Robin L. Shellman, using a spectrum analyzer from Spectro Dynamics with a demodulation mode and analysis range window from 10 Hertz to 20 Kilohertz (with translator mode for selection of center frequency through a given window), a high speed device of variable rate was detected in conjunction with the stable beat pattern, demonstrating a range from 29,500 rpm to as high as 59,400 rpm suggesting the absence of bearing friction as if suspended in a magnetic field. There is no parallel in "known" terrestrial technology. Were one to try to synthetically duplicate the sounds produced on the Meier recording, a minimum of eight synthesizers with four oscillators would be required; yet there were 32 frequencies simultaneously present on the Meier recording, 24 in the audible range but 8 beyond it—and synthesizers don't enter the subaudible domain. Conventional wisdom, however, seems to have the Meier case safely dismissed—but always at the expense of just that scientific verification which makes the self-same skeptic appear so rigorous and logically exacting, whenever he pays lipservice toward such proof. 87 T-Bird_Vs_The_Flying_saucers.htm It was obvious those most vociferous re "scientific proof", weren't really interested. We Meet Col. Stevens