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religious precepts, even those cherished from long use and universal recommendation are at best optimum advice for the given system of function; at the transition to general 4th—density existence, those precepts and principles most apparently "eternal truths"—as they stem alike from Buddhism and Hinduism, Christianity and Sufism—have to be evaluated against an enlarged context, and modified according to the forms of information "unique" to the higher domains to which consciousness must adapt. The principle to "love one and all alike", to bestow "blessings upon all beings" and so forth is not subject to abandonment at this stage; we are not to somehow understand that a reversion to hatred and warfare are suddenly "all right" due to the extenuating circumstance that "pure spiritual evil does indeed exist". Universal Love is and always remains the principle in some proper form; but the specific beaming of the "love—vibe" in the direction of the Orion Crusaders not only possesses the defect of wholly wasted effort; the philosophy informing it tends to contribute to a tremendous misread— ing of the elements actually involved. And this is no better illustrated than in the Stricter account of the manner in which he was made to feel tremendously guilty for not having obeyed a direct command of his tormentors. Sweet Setup In Transformation he recounts the otherworldly interdiction whereby a "voice" bade him refrain forever from sweets, his one true vice. Addicted as he was, Strieber couldn't stop, even though the "beings" engineered circumstances so as to bombard him with dire implications. As a result, one evening he is visited by a malevolent presence which he himself—as always—describes best, i.e. as "monstrously ugly, so filthy and dark and sinister. Of course they were demons. They had to be." Again, "the sense of being infested was powerful and awful. It was as if the whole house were full of filthy, stinking insects the size of tigers." The entity, rising up beside his bed like a "huge, predatory spider", places something at his "forehead" (i.e. the Third Eye) and with an electric tingle he is "transported" to a dungeon—like place where his attention is fixed upon a scene of excruciating torture. The victim, a normal—looking though quite naked man, is being whipped to shreds amidst agonized screams by a cowled figure. His "entity" explains to him that "he failed to get you to obey him and now he must bear the consequences". Thisdisclosure is followed by a very interesting and significant "assurance" that "it isn't real, Whitty, it isn't real." As Strieber reports, such an "admission" did nothing to mollify his horror. The assurance was indeed an oblique reference to the actual tactic being used by his tormentors; the whole scene, like so much UFO-abduction data, is a projected thought—form. Such thoughtforms are generated not in or through our ordinary "3rd—density" plane, but are manufactured in the medium proper to them, i.e. the Astral. The subject, then, is either spirited to the "vibratory frequency" of that density through dissociation of the astral vehicle from the physical, or, as in certain accounts possessing a component of "high strangeness" the 4th—density menstruum is tuned into place by a vertical adjustment and wholesale realignment of the nested "bodies", in such a way that the subject doesn't dissociate from the integument of "touch" (and thus, from the physical—electric grid) but rather undergoes the rotation of the coordinates of that grid so that they line up in conductive relation to the informing geometries of astro—etheric patterning which otherwise are obliquely screened— thus affording a direct continuity of perception surcharging the apparently "preserved", familiar field of physical focus with impossible Whitley—in—Wonderland elements: The purpose of soothing Strieber with such assurance as to the ultimate unreality of the convincing scene experienced, should be familiar to anyone who's heard of the torture tactics employed in any good Banana Republic (i.e. those in which the victim is subjected to excruciating pain on the one hand while being simultaneously stroked and reassured on the other, often by the same party). The object is to elicit the full cooperation of the victim under duress, by making him instinctively gravitate toward the implicit salvation extended 13 32 T-Bird_Vs_The_Flying_saucers.htm