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discordance. Thus the soul—complex does not "travel" any longer as it did in 4th density, nor does it seek in that sense ever again, but only practices the alignment of all creative patterns in congruence with the self-evident, standout Value of Identity clearly furnishing the common term of all dimensional coordinates. The 5th density is indeed the density corresponding (in "em— bodied" or soul—concentrate form) to the Macrocosmic Heavenrealm of the Creative Itself. Here all the cosmic patterns of expression in their potential dimensionality and variable, compound focal—alignments shimmer like a great crystal, an illimitable metacosmic Jewel. It is from this level, reflected into the spiritualized Mind of 3rd—density being through the consciousness of a 5th—stage master (the realized stages of 3rd density "embodied spiritual masters" correspond, by resonant harmonics, to the like-numbered densities), that we receive the lustrous descriptions of the Buddha realms, the Taoist Mountains and myriad Transformation Bodies, the infinite creative scapes of "jeweled pavilions" and "strung pearl nets" multiplied endlessly in mirrored reflection through each of their incomparable facets etc. Note: it is the vision of this great, Creative Crystal, as well as the concomitant vision of the Eagle, to which the little gray space beings introduce Betty Andreasson in The Andreasson Affair. The distressing "strangeness" of Andreasson's interdimensional experience at this point of the narrative that so tended to put off her credentialed colleagues precisely specifies the nature of the ordeal as that of having been taken to the very threshold of 4th density "astral" or cosmic—plane reality, abutting the Archetypal force—forms projected from the ledge of Fifth Density. It is unexplained in the book (indeed it is simply too perplexing for all those involved) but the purpose of the beings having exposed Andreasson to such an unbearably crushing intensity—see Castaneda's very similar accounts of intolerable pressure in the attempt to physically cross such threshold zones—was that of satisfying their collective, social-memory—complex curiosity as to how much of the Creator—Presence a heart—being of the earth plane could take after the several light—adjustments and technical alignments received in their craft. Although these little bug—-eyed beings involved in the Andreasson event are of the "positive" polarization—alignment despite their similarity to the negative grays, they exhibit the typical development of systems which deemphasize the median heart—center or dimension of psychic Love, so that in practical fact they are aligned with Cosmic Law but restricted in their Search for the Creator by just that comparative lack 21 T-Bird_Vs_The_Flying_saucers.htm Cosmic Smerfs: Here Come the Space—Dorks