Tbird vs The Flying Saucers - Michael Topper-pages

Page 209 of 234

Page 209 of 234
Tbird vs The Flying Saucers - Michael Topper-pages

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"That's strange...you never think of the 'negative' as having any relation to ‘balance’ at all — you always think of it as being constitutionally unbalanced..." "The 'positive' and the 'negative' must be equally balanced around their own, respective poles. They may seem unbalanced with respect to one another, but within their own frameworks they must achieve and maintain a kind of functional balance. That which imbalances, to either side of the ledger, is gross attachment, one-to-one ego/identification with a particular object or objective. If'serene dispassion' characterizes that positive type of balance to be achieved as antidote to such disturbing potential, we may say that 'cold objectivity’ characterizes the negative style of balance. "There are obviously still objects and objectives in either case; but both, respective forms of orientation serve to prevent or forestall the collapse of integral harmony (required to maintain higher—density alignment positive—or—negative) through the allure of the Temptress 'Lust—of—Result'. That's how both positive and negative higher—density frameworks circumvent the enervating forms of rage, or distracting subplots of ‘personal revenge' that characterize 3rd density—style balance’..." "Ah yes — the Vulture—goddess of Justice, I believe, who weighed hearts in the Hall of the Dead with...a feather." "She might be heard saying, more often than not," AAA smiled, "you have the ego of helpfulness but not the Soul of Listening. You're always running off to 'do the good deed' so as to score Brownie points — but you never stop to Listen to what's really been Said." 209 T-Bird_Vs_The_Flying_saucers.htm whether in the positive or negative sense." attachment to results, outcomes and desired effects." "So...what was that again?...'You aren't measured according to your works, but weighed on the basis of your "Motto of Maat, the Egyptian MT (sporting dual As in the middle, eh?)"