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external environment on a limited basis, so by comparison the spacebeings (of 4th—density astro—physical type) exhibit a more in- tegral, vertical alignment along the multidimensional axis vastly ex— tending the volitional influence of the conscious channel through biophysiological processes and current—patterns of the centers rotated into direct linkup, straight energetic continuity with the extended currents of the formative environment. Thus the Andreasson—beings can "psychically" effect the formvalues of the space in which they function through specific, correlated centers, just as surely as 3rd—density consciousness can "internally" influence a given center (such as heart or lungs) by the volitional threads to which they're linked. And even as 3rd density consciousness can volitionally "slow" or "speed up" the heartrate, or exercise moderation over the lungs through the respiratory plexus, so may the spacebeings volitionally effect the guideline form of a given thing in the environment through the mind/body plexuses or current—centers. They in other words enjoy a far deeper continuity between the conscious axis, the biomagnelic currents and autonomic processes of their "enclosed" tissue capsule, and the extended energy—fields of the environment. It is Betty Andreasson's hypnotical description that certain entities which she's "observing" in her trance are form—beings—they are glowing—light forms having the general configuration of the human but without specifying features. Similarly, the spacedorks on occasion turn into generalized light—forms of themselves, especially in the context of densities more removed from the familiar orientation of physical—like features. Since the "range" of the Form world (the astral environs) yields the symbolic type and affective/psychic pattern of all things, it corresponds to that which 3rd—density consciousness touches only obliquely and in a disembodied state, i.e. the dreamworld; the kinds of connections, changes, impressions, causalities and influences to be encountered there exhibit the internal cohesion of dream—continuity. They move narratively wow ea 1 Owing to their 'Vertical" continuity with physical space, the Andreasson—beings may be understood as having dream-—control over physical spacetime process. This accounts for the "quality" of Andreasson's experiences, as beings native to that Psychic density impinge on the physical field of focus through their variably—adjusted, "material" correspondents, bringing that extended value into direct alignment with them. Such is the effective "leverage" of that higher vantage from which influence is exerted, that their very proximity induces an effortless resonance of sympathetic correspondence in the target Earth—being, activating the related centers and triggering certain adjustments which are fulfilled—in the span of their realignments—aboard the control—environment of their craft where technological modes magnetically shape the "abductee" intocosmically—fit form (one of the disconcerting factors which had originally alerted the investigators to the very peculiar nature of these events, came out in Betty's recollection that the "craft" in which she was taken had form-fitting seats specifically tailored to her dimensions, and molded with high-tech tubes conforming alarmingly to the intimate curves and hollows of her very arms, mouth, nostrils etc.). This general description also accounts for the apparent anomalies reported by abductees, or through "UFO grapevine" from the military facilities where "captured" or donated alien craft are stored, re the seemingly physical, tin—can hardware character of the extradimensional vehicle suspended "up there on the rack" which nonetheless behaviorally responds to the psychic commands of its crew, and which puzzlingly displays precious little of the kind of wiring or mechanical engineering that ought to be in evidence as sign of its modus operandi. 152 T-Bird_Vs_The_Flying_saucers.htm Dream—Riders on the Vertical Timestream on the basis of dream—logic.