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119 aliens. | wanted a communication that couldn’t be dismissed, variously interpreted, or ambiguous as to its nature. On May 10, 1993, | may have gotten a partial answer to that prayer, although great caution is called for in assessing any contacts before accepting them at face value. This particular contact conformed exactly to other abductees’ descriptions of the VRS dream and was the first of its kind | had experienced to such a degree. | was in the middle of a normal dream when suddenly | was somehow removed from that dream and found myself sitting in a chair, in a darkened area, accompanied by entities | wasn’t allowed to see. They spoke to me, clearly and frequently, throughout the event. | was facing a small stage area, which | now feel was more holographic than solidly three- dimensional even though at the time it looked quite realistic. My “hosts” told me | was to watch a scenario played out on the stage. It began with a scene from Genesis, in which Esau returned home feeling so hungry he feared he would die. His younger brother Jacob was sitting there eating a bowl of pottage, and Esau begged him to share it. Jacob said he would give Esau the food, but only in exchange for Esau’s birthright as the oldest son of Isaac. | heard Esau say, It won’t do me any good to have the birthright if | die of starvation, so I'll agree to trade it for the food. Then the scenario on stage changed to another part of the brothers’ story. In this second scene, Isaac was very old and blind and knew that he was close to death. He called for Esau to be brought to him to receive the laying-on of hands that would confer the inheritance. Jacob wrapped an animal skin around his arm and presented it for his father’s touch. Isaac felt the fur and believed it was the arm of his very hairy eldest son. So in his ignorance of this deception he conferred the blessing and gave Jacob that which rightfully belonged to Esau. The play ended, and then it started right up again, playing out several more times as my hosts discussed its meaning with me. At various points they would stop the action, much as we pause a video tape, and would point out some specific detail and tell me what it meant, what it symbolized, and what the message was trying to convey. They told me not to focus on the biblical aspect of the play, that their message had nothing to do with any actual Jacob and Esau, but that the story was designed to illustrate important information about what the aliens are doing to humans, both in the past and in the present. The hosts went through the play with me several times, pointing out details and saying things like, Okay? Let’s try it again. Now watch closely. And the play would proceed. After several repetitions, | suddenly “woke up” in my bed, amazed by what I’d just seen. | got out of bed for a while, trying to discern the nature of the event, whether dream-like or externally generated, and | also pondered on the meaning of the scenario. When | lay back down, as soon as | touched the pillow | was suddenly back in the chair, facing the stage, and my hosts said we would now resume. Once again the play began running, as did the explication offered by my abductors. And when they apparently were satisfied, the action ceased and the abductors gave me a clearly delineated summary of the things | was meant to perceive. Esau, the older and hairier brother, they explained, represents the original human species on this planet. Jacob represents the altered product of alien genetic manipulations of that older species. The aliens produced this new variant and then used it to replace the original form.