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reported: spaces. UNSEEN WORLDS = 181 unseen worlds: the informational language aspect, and the nursery/play- room theme. There are no doors, there's nothing to go through. It's either over here— its dark; or over there—there are images. Youjust can't do anything with them. It was Mayan hieroglyphics. It was interesting. The hieroglyphics turned into a room, like Iwas a child. There were toys there, like Iwas a kid. It was like that. It was cute. On a slightly larger scale, the spirit molecule led another volunteer to an "apartment" of sorts. Tyrone was thirty-seven years old when he partici- pated in the dose-response study. He was a former student of mine, a junior psychiatrist I had supervised for a year. As he emerged from his double-blind 0.2 mg/kg dose of DMT, he It was a scene ofapartments from the future! He laughed at how unexpected it was. Like living quarters, they were gorgeous. Pink, orange, those kinds of colors, yellow, real bright. I asked, "How did you know they were of the future?" The places to sit, do things, the counters, they were molded out ofthe walls. I've never seen anything like it. It was really modern looking. The almost organic nature ofthe apartment was beautiful. It wasn't justfunc- tional. There was life in thefurniture, like it was molded out ofsomething alive, an animal, a living being. Ifelt in awe ofthe apartments. An artistic appreciation, like looking at a beautiful painting and getting lost in it, lost in the happiness. At the end I went past, beyond the apartments. I entered into a space, a crack in the earth. It wasn't horizontal, it was vertical. A crack in space. Aaron also participated in the EEG study. Several days after the session in which he received the 0.4 mg/kg DMT dose, he sent us handwritten notes that capture, better than mine, a description of where he went that day. Here we see some glimmerings of the inhabited nature of these strange