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responses to them. What does their reaction tell you about them? What does it tell you about the circles? Another way in to this process is through the use of ‘active imagination’; try drawing or painting mandalas and observe a sequence of them over a period of time. Do you experience these forms as The kind of local research described at the end of Chapter 2 could turn up examples of focal points or people around which anomalous events have clustered. powerful expressions of your own inner life?