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Serpents in the Streets CHAPTER 16 Great capitol cities of the world have precise geometric shapes because of Sir John Dee's pact with the Macrobes. Since the entire human race was offered up in the pact, what better way than to have humans live right in the center of enormous satanic ritual precincts? We call these precincts “cities.” In the book, Secret Architecture of our Nation’s Capitol, researcher David Ovason gives information gleaned from the Library of Congress, from the vaults and archives of Washington D. C., and from the memoirs, letters, and writings of America’s Founding Fathers which reveal that cities and their design are part of an occult agenda instigated by Freemasons of the 33rd degree and beyond. Ovason, apparently, does not comprehend what the agenda is. He reveals that in Washington D. C. alone, however, there are 22 full zodiacs secreted into the architecture and layout. This is more than anywhere else in the world. He draws attention to the reasons why the U. S. Pentagon, the Oval Office, and the Washington Monument have the shapes they do. Have we ever wondered why the members of the military adorn themselves, their buildings, and their hellish machines with stars? Have we asked why it is that the U. S. Pentagon is that shape or why it is oriented due north towards one of the ancient pole stars, Thubin, the star of war and evil, previous to Mars? If one imagines the arms put back onto the perimeter of a geometrical pentagon, they will see it become a pentacle—a symbol, which though not nega- tive in itself, has long been associated with “Black Magic” and which is often utilized by members of Satanic cabals. As we mentioned before, all we know, or think we know about the theme of Satanism actually refers to the alien presence and influence on this planet, and oe: It has rarely been revealed that the Vatican (one of the most truly Satanic edifices in mankind’s history) has spent literally billions of dollars to give mankind a false notion of Magic and the Black Arts. Their efforts and expenditure go into the making and purveying of popular music and movies which are exploitative and gratuitous and which generate deviant messages about the nature of Satanism. The famous black and white classic horror movies (Dracula, The Mummy, The Werewolf, and Invisible Man, etc.), the “B” movies of the 50s and 60s, and the 97 to no other source. Atlantis, Alien Visitation, and Genetic Manipulation