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Sara said, “so you can’t really evaluate it in the language and physical descriptive terms of this dimension because it wasn’t really happening here. It was _ half happening here and half happening somewhere else.” After this experience Sara “felt like I'd sort of been hood- Otherwise, many humans are often too “dense” and/or too preoccupied to be reached. “In a species sense” Sara has felt “compatible” with the Mengus type of beings, but the being in the hotel room seemed to be a representative of another species with which Miguel was connected, perhaps in a past life. In Sara’s view these two species are trying to connect with each other as demonstrated in her association with Miguel. Each species, she said, had its own “vibrational plane,” so that for two species to connect they must “create a new vibrational plane of interaction.” This could be exemplified in a human relationship that, in effect, crosses the species barrier. This would be accomplishing an infinite number of things with “one beautifully concise stroke.” winked.” The being “didn’t give me the full story, and it just kind of said, ‘Hey, trust me, it’s important.’” Then she said, “If a being were to project itself onto a sheet of cellophane, and [the] cellophane were to shatter through to this reality, and I could stand and watch, I’d do that.” I asked if this had in fact happened (‘come through’’) to her. “Yes,” she said, about two weeks ago. She had gone on a ski trip. There was a large mirror in her hotel room. She arose in the middle of the night, and the place where the mirror had been appeared as a corridor. She attempted to walk down this corridor, but she bumped her head against the glass. Miguel had not gone on the ski trip with Sara, but “the minute I bumped the corridor Miguel was in the room, and I tried to scream out, ‘Miguel,’ but I couldn’t scream. Nothing could come out.” She was sharing the room with a skiing friend, who she says independently saw a silhouette in the room. Paradoxically she “just immediate- ly went back to sleep.” The bump hurt a great deal, but the pain was compounded by the “interpreta- tion of the dimensions” as “the mirror opened up.” It was as if “a being that looked like Miguel” or ‘a disguise of Miguel’ came through. The being had “penetratingly dark” eyes, “dark, dark,” and looked “insectlike’ with “an overshaped head” and “a little, shrunken body . . . that’s using the costume to look bigger... It hurt me,” Sara said, but “‘the overall purpose wasn’t to hurt me.” It was rather “to explain something through demonstration,” namely “this whole dimensional interpretation exists.” By “bopping me on the head,” they ““demon- strate, ‘Hey! This is physically real.’” I asked Sara to say more about the being she saw in the hotel room. The head was the most prominent part of the body and was “shimmery,” looking “reptilian,” almost “snakelike, serpent- like” and quite elongated. “Red vein- things” made the head appear like “a body turned inside out.” The creature was not “bad. It’s nice enough.” It was.’’al- most like a sea creature, like a mollusk or a snail without the shell.” It seemed vulnerable, in need of “understanding” and “cooperation” from her. For Sara to own that the creature truly exists “expands my borders of acceptability and tolerance . . . opening my heart to something that isn’t the same as I am. That’s good for me. I need to know that. I need to learn that and actively do that.” It was “sweet,” she said for the being to “put on” the Miguel costume in order to bridge the gap of unfamiliarity. When Sara looked into this being’s eyes she saw “so much love” and felt love herself. She also perceived a “kind of sad” and “battle- weary” look, as if it were saying, “Give us a break!’” “They’re tired of everyone being scared of them .. . I feel bad for that guy,” she concluded. was 36